Key Terms for This Week- Test Friday May 22nd
KEY TERMS FOR THIS WEEK- Test Friday May 22nd
| 1. | AD | Stands for associate director or assistant director. Assists the director in all production phases. | |
| 2. | DP | Stands for director of photography. In major motion picture production, the DP is responsible for the lighting (similar to the LD in television). In smaller motion-picture productions and in EFP, the DP will operate the camera. In television if refers to the camera operator, or shooter. | |
| 3. | facilities request | A list that contains all technical facilities needed fora specific production. | |
| 4. | floor plan | A diagram of scenery and properties drawn on a grid pattern. | |
| 5. | location sketch | A rough map of the locale of a remote shoot. For an indoor remote, it shows the room dimensions and the furniture and window locations. For an outdoor remote, it indicates the location of buildings, the remote truck, power sources, and the sun during the time of the telecast. | |
| 6. | locking-in | An especially vivid mental image–visual or aural–during script analysis that determines the subsequent visualizations and sequencing. | |
| 7. | medium requirements | All content elements, production elements, and people needed to generate the defined process message. | |
| 8. | process message | The message actually perceived by the viewer in the process of watching a television program. The program objective is the defended process message. | |
| 9. | production schedule | The calendar that shows the preproduction, production, and postproduction dates and who is doing what, when, and where. | |
| 10. | sequencing | The control and the strutting of a shot series during editing. | |
| 11. | storyboard | A series of sketches of the key visualization points of an event, with the corresponding audio information. | |
| 12. | time line | A breakdown of time blocks for various activities on the actual production day, such as crew call, setup, and camera rehearsal. | |
| 13. | visualization | Mentally converting a scene into a number of key video images and sounds, not necessarily in sequence. The mental image of a shot.
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