December 6

Wednesday December 6th: LESSON: CINEMATIC LIGHTING

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LESSON: CINEMATIC LIGHTING

VIDEO: 8 STEPS TO CINEMATIC LIGHTING

VIDEO: LIGHTING TECHNIQUES

VIDEO: LEARNING TO LIGHT ROGER DESKINS

VIDEO: CINEMATIC LIGHTING VS NATURAL LIGHTING

Film 101: Understanding Film Lighting

Without good lighting, the best camera in the world can’t capture a perfect picture. Learn how a film crew uses lighting to enhance images, create depth, and support the story’s mood and atmosphere.

What Is Cinematic Lighting?

Cinematic lighting is a film lighting technique that goes beyond the standard three-point lighting setup to add drama, depth, and atmosphere to the story. Cinematic lighting utilizes lighting tricks like bouncing light, diffusing light, and adjusting color temperatures.

Why Lighting Is Important

Lighting is a fundamental to film because it creates a visual mood, atmosphere, and sense of meaning for the audience. Whether it’s dressing a film set or blocking actors, every step of the cinematic process affects the lighting setup, and vice-versa.

  • Lighting tells the audience where to look. The lighting setup guides the eye to a specific actor, prop, or part of a scene.
  • Lighting reflects the psychology of characters. The amount, size, color, and harshness of light surrounding a character can be adjusted to match their emotions.
  • Lighting defines and supports the genre of the film. Lighting is the tool that conveys mood most clearly. For example, one of the film genres most known for its distinct lighting style is film noir, characterized by stark contrasts between light and dark, dramatically patterned shadows, and unique framing and composition choices.

Who Determines the Lighting Setup for a Scene?

  • The director shares visual inspirations and ideas for cinematic lighting.
  • The director of photography or cinematographer: creates the lighting plan with input from the director.
  • The gaffer designs and executes the cinematographer’s lighting plan and oversees the crew that brings the lighting plan to life.

How to Create a Simple But Effective Lighting Setup in 3 Easy Steps

The most basic lighting setup is a three-point lighting setup, which highlights the main actor or subject of a scene and makes them stand out from their background. Here’s how to do it:

  1. 1. Place your main and strongest source of light, called a key light, off to one side of the actor to create a slight shadow on the opposite side of their face.
  2. 2. Add a second light, called a fill light, on the opposite side of the actor to soften any harsh shadows created by the key light.
  3. 3. Place a third light, a back light, behind the actor to help define and highlight their features and outlines.

How to Light a Scene Without Professional Equipment

With a DIY filmmaking setup, you can experiment and play with a variety of lighting setups. If you don’t have a lighting kit or access to professional lighting equipment, invest in a few items to make your own:

  1. 1. Purchase inexpensive clamp lights, LED lights, or tripod-mounted work lights from a hardware store.
  2. 2. Get some basic heat-resistant color filters, such as blue gels help shift the yellow tint of a halogen bulb to white, and soft filters to reduce harshness.
  3. 3. Wrap black cinefoil around the edges of the lamp to help direct and focus the light.

12 Film Lighting Techniques Everyone on Set Should Know

There are 12 basic types of lighting used in filmmaking:

  1. 1. Key lighting is the main—and strongest—light source in a scene or on the actor.
  2. 2. Fill lighting adds dimension and softens harsh shadows created by the key light.
  3. 3. Backlighting is placed behind the actor to help define their features and distinguish them from the background.
  4. 4. Side lighting lights the actor from the side and focuses on the contours of their face for a high-contrast dramatic effect.
  5. 5. Practical lighting is a light source that is visible within the scene like lamps, light fixtures, candles, and television sets. They’re not usually strong enough to light a subject, but they add to the cinematic ambiance of the scene.
  6. 6. Hard lighting is a lighting aesthetic with harsh shadows that draws attention to a specific actor or part of a scene.
  7. 7. Soft lighting is a lighting aesthetic with little to no harsh shadows that’s bright yet balanced.
  8. 8. High-key lighting is a lighting aesthetic with no shadows and intense brightness, bordering on overexposure. You’ll commonly see high-key lighting in a television sitcom, a music video, or a commercial.
  9. 9. Low-key lighting is a lighting aesthetic with a lot of shadows to create a sense of mystery or suspense.
  10. 10. Natural lighting uses and modifies the available light at the location of the shoot.
  11. 11. Motivated lighting is a controlled lighting technique meant to imitate natural light sources in the scene like the sun or the moon.
  12. 12. Bounce lighting is a technique where light is bounced from a strong source toward the actor with a reflector, which soften and spread the light.

Lighting a scene requires trial and error. Take time to experiment with three-point lighting, soft light, hard light, low-key light, and high-key light to find the right balance of light and shadows for your shot.

December 5

TUESDAY DECEMBER 5TH- LESSON:FILM LIGHTING TECHNIQUE

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 Watch, Listen, Read everything in the Lesson below. 

LESSON:FILM LIGHTING TECHNIQUE

HOW TO LIGHT SUBJECTS AND LOCATIONS: CLICK TO WATCH

VIDEO: CLICK TO WATCH

POWERPOINT: CLICK TO READ AND REVIEW

VIDEO: LIGHTING TECHINIQUES

MORE INFORMATION:CLICK TO READ AND REVIEW

LESSON NOTES:

LIGHTING RELATED CREW

Director of Photography: The person in charge of capturing the images on a film set, including the camera, lens, and lighting setup. Also known as a Cinematographer.

Gaffer: The person working directly under the Cinematographer to help plan and execute light setups, including the necessary gear and lighting equipment.

TYPES OF LIGHT

Light: A portion of the electromagnetic spectrum that is perceivable by the human eye.

Natural Light: Any light that emanates from a natural light source (sun, moon, fire, etc.).

Ambient Light: Any light that exists in a location that the crew does not add or provide.

Practical Light: Lighting sources that are built into the set that provides illumination.

Motivated Light: When a light source on-screen justifies additional lighting of the same direction and color temperature.

Incidental Light: The light that hits the subject.

Reflective Light: The light that reflects off the subject and is registered by the camera.

Daylight: The color temperature we associate with pure sunlight, typically around 5,900K.

Tungsten Light: The color temperature we associate with incandescent light, typically around 3,200K.

Hard Light: Light that hits the subject directly from the source, creating sharp shadows.

Soft Light: Light that is diffused before hitting the subject, creating soft shadows.

LIGHTING TERMS

Watts: A measurement of how much power a light source requires.

Lumens: A measurement of how much light a source produces.

Lux or Foot Candles: A measurement of how much light hits the subject (lux uses the metric system while foot candles use the imperial system).

Inverse Square Law: A scientific law that measures how much light is lost at specific distances from the source with an equation: intensity equals one over the distance squared.

Color Temperature: The color of light emitted at a particular temperature.

Kelvins: The unit of measurement used to describe color temperature.

Light Falloff: The loss of a light’s intensity the further it gets away from the source.

Exposure: The amount of light that hits the camera’s sensor or film stock.

ISO: Short for the International Organization for Standardization, but in photography and cinematography is the light sensitivity of film stock or the equivalent “sensitivity” in digital sensors.

Aperture: The adjustable opening in a camera lens that dictates how much light passes into it.

Shutter Speed: The speed at which a camera’s shutter opens and closes to determine how long the film or sensor is exposed to light.

F-stop: Aperture settings that either double or halve the amount of light with each “stop.”

T-stop: Lens setting similar to f-stops that accurately measures how much light actually hits the film or sensor.

Spill: Unwanted light that “spills” onto a subject or background, often remedied with flags.

Contrast Ratio: The ratio that measures the difference in brightness between two parts of an image, often both sides of the subject’s face or between the subject and the background.

Dynamic Range: The range between the darkest and brightest parts of an image that a particular camera can capture while still registering visual information.

High Key Lighting: When the subject and background are lit relatively evenly.

Low Key Lighting: When the subject and background are lit unevenly with greater contrast.

Chiaroscuro: A style of lighting defined by extreme contrast between light and shadow to separate subjects from the background while giving depth and dimension to the image.

Magic Hour (Golden Hour): The time of day (just before sunset and just after sunrise) when the sunlight is softer and more colorful.

Short Side (Dumb Side): When the camera is positioned on the same side of a subject’s face as the key light.

Broad Side (Smart Side): When the camera is positioned on the opposite side of a subject’s face from the key light.

Lens Flare: A visual artifact that occurs when a light source hits the camera lens directly, the shape and color of which depends on the lens and its construction.

Bokeh: Any out-of-focus element but usually used to describe points of light that appear as glowing dots or shapes.

Book Lighting: A technique where light is bounced into diffusion before hitting the subject.

Bounce Lighting: A technique where is light is bounced off various surfaces onto the subject, usually to fill in shadows.

LIGHTING GEAR

Fluorescent Lights: A type of light that uses electrical current to excite the mercury vapor inside the tube, usually producing soft light.

Kino Flos: A bank of tube lights coming in a variety of color temperatures and can be placed in inconvenient places likes on a wall or the ceiling where traditional lights would not fit.

LED Lights: A grid of tiny lights with a vast array of color and intensity settings that also produce much less heat.

Light Meter: A handheld device that is used to measure incidental light hitting a subject or background for the purpose of determining exposure settings on the camera.

Spot Meter: A tool that pinpoints a particular spot in an image to determine the exposure.

Waveform: A monitor that measures the amount of overall brightness in an image displayed in a 1:1 relationship (top left of the waveform = top left of the image) using the IRE scale 0-100.

Histogram: A monitor that graphs the brightness of an image with brightness on the y-axis and the number of pixels along the x-axis, also using the IRE scale 0-100.

False Color : A monitor that colors the actual image with colors determined by the IRE scale so you can see exactly what the exposure levels are in the image itself.

Diffusion : A technique of placing translucent material in between a light source and the subject for the purpose of scattering and softening the light.

Soft Box:  A box that wraps around a light with a translucent front to create diffusion.

Diffusion Paper : Translucent paper that can be attached to the front of a light to create diffusion.

Silk : Stretched, translucent material used to diffuse larger light sources.

Reflector:  Any material used to “bounce” light from the source onto the subject.

Beadboard :A reflector with an uneven surface to further diffuse the bounced light.

Foamcore :A reflector with a smooth surface to bounce light.

Gel : Thin, plastic, colored sheets placed in front of a light source to manipulate the color temperature.

Neutral Density Gels : Thin, plastic sheets placed on lights or windows to cut the amount of light coming from the source.

Flags: Opaque material, usually black, to block or shape light from unwanted areas of the shot.

Barn Doors : Adjustable metal flaps on a light to help shape and control the direction of light.

Egg Crates: Adjustable metal flaps on a light to help shape and control the direction of light.

Cookie (Cucoloris) : A panel with specific shapes cut into it and placed in front of a light to create a dappled or shadow pattern.

Light Stand : Metal stands designed to hold lights in position.

C-stands : All-purpose stands that can be used to hold lights, diffusion, flags, or any other piece of gear in a fixed position.

Dimmer : A device that adjusts the power to a light source to lower or raise its intensity.

Scrim : A wire mesh insert placed in front of a light to reduce its intensity without adjusting the color temperature.

Eyelight : a small light dedicated to adding a glint to the subject’s eyes.

December 4

Monday December 4th- LESSON- FILM LIGHTING TECHNIQUE

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CNN 10 NEWS

MINDFULNESS AND GRATITUDE

DAILY MOTIVATION

 Watch, Listen, Read everything in the Lesson below. 

LESSON:FILM LIGHTING TECHNIQUE

INTRO VIDEO: CLICK TO WATCH

HOW TO LIGHT SUBJECTS AND LOCATIONS: CLICK TO WATCH

VIDEO: CLICK TO WATCH

POWERPOINT: CLICK TO READ AND REVIEW

VIDEO: LIGHTING TECHINIQUES

MORE INFORMATION:CLICK TO READ AND REVIEW

LESSON NOTES:

FILM LIGHTING TECHNIQUE

Mix color temperatures

We’ve mentioned some classic black and white inspirations and cinematic techniques, but what about the standard today (for the last 60 years): color!

Try using colors to create the same kind of dramatic contrasts and juxtapositions. Enter film lighting color gels:

Best Cinematography Techniques and TIps - Mixing discordant colors can be a dramatic and effective cinematic technique

Mixing discordant colors can be a dramatic and effective cinematic technique

Suddenly the image catches the eye in a different manner than before. Similar to the way more classical cinematic techniques leveraged bright outlines and shadows when shooting black and white.

Best Cinematography Techniques and TIps - Wes Anderson and his love for color

Wes Anderson preferred camera technique: color and center-staging

Colors pop more when they are laid alongside contrasting colors, and photographed properly.

Some of this comes down to production design, but it’s also where cinematic film techniques from different departments start to co-mingle.

When it comes to identifying the right colors, having an understanding of color theory is critical. The video below will walk you through the principles, and it’s part of a free 5-part video series called Filmmaking Techniques.

It’s essential viewing for visual storytellers.

Understanding Color Theory in Film

FILM LIGHTING TECHNIQUE

Hard light versus soft light

Hard and soft lighting techniques create very different feelings. Try experimenting with both to get a sense of what you like for what types of scenes.

A lot of people are using LED panels nowadays but it nearly eliminates all hard light (which may not be the preference). Use fresnel and pars when appropriate.

Best Cinematography Techniques and TIps - Hard lighting used as a sexy cinematic technique

Hard lighting would definitely qualify as a sexy cinematic technique

Hard light is way easier to control than soft light. Hard lights can be softened, but soft lights can’t be hardened. If you really need to control shadows and keep light from spilling everywhere a fresnel will make your life easier than a kino.

Best Cinematography Techniques and TIps - Softer lighting helps convey the internal state of the character

Much softer lighting used here by the Coen Bros

You don’t need to always opt for what looks sexiest, of course. Remember one of our other cinematography techniques: telling a good story. One way to get that cinematic look with lighting techniques is to embrace the power of the fill light. This video pays homage to that secondary but highly-important light.

CLICK TO WATCH VIDEO

Fill Lighting Explained  •  Subscribe on YouTube

We’ve covered many topics on what cinematographers do but let’s switch gears to talk about how you go about actually working as a cinematographer. From finding jobs to buying vs. renting gear — if you’re interested in becoming a working DP, read on.

 

 

 

December 1

FRIDAY DECEMBER 1ST- QUIZ DAY

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QUIZ DAY

  1. WHAT IS A FILM SOUNDTRACK?
  2. WHAT IS A FILM SCORE?
  3. WHAT IS THE DIFFERENCE BETWEEN A SOUNDTRACK AND A SCORE?
  4. LIST 10 OF THE YOUR BEST MOVIE SOUNDTRACKS/SCORES
  5. EXPLAIN MOVIE “THEME SONG”?
  6. LIST THREE KEY TAKEAWAYS WITH FILM SOUNDTRACKS?
  7.  What is the name of this course?
  8.  What is the name of your teacher?
  9.  What is the world famous class website?
  10.  List five movie posters that are up in the classroom?
  11. List five movie companies that are posted up in the classroom?
  12.  List five motivational says that our posted up in the classroom?
  13.  List three things you are thankful for?
  14.  What is today’s date?
  15. What do you like about this class the most?
  16. WHAT IS A NEEDLE DROP WHEN IT COMES TO FILMS?
  17. WHAT IS ADR IN A FILM?
  18. WHAT DO YOU WANT FOR CHRISTMAS?
  19. NAME YOUR TOP 5 CHRISTMAS MOVIES OF ALL TIME?
  20. WHAT IS YOUR FAVORITE CHRISTMAS SONG OF ALL TIME?

 

November 30

Thursday November 30th- LESSON: MOVIE SOUNDTRACKS/PROJECT DAY- SOUND DESIGN

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LESSON: MOVIE SOUNDTRACKS

TOP 20 BEST MOVIE SOUNDTRACKS OF ALL TIME

CLICK TO WATCH THE NEEDLE DROP

THE HISTORY OF MOVIE SOUNDTRACKS

HISTORY OF MUSIC IN FILMS

The power of movie soundtracks is undeniable. Without background music, viewers would not be able to feel half the emotions that they feel when watching films. But there are key steps that composers take to guarantee that viewers will undergo certain experiences and feel certain things throughout the film.

KEY TAKEAWAYS

  • Film soundtracks can add to a film’s narrative by personifying characters and reflecting atmospheres.

  • Soundtracks can also reflect the events that take place in a film, helping audiences better understand their meaning.

  • Some directors have treated music the same way they do sound, and they looked for more organic ways to integrate it into their work.

CLICK TO READ “MUSIC THAT TELLS A STORY

The “Theme” Song

First comes the common “theme” song. Every single film has one, whether or not you recognize it while watching. If you were to go through the soundtrack of every film and listen to it in order, you would likely recognize certain melodies being replayed, although some films hide it better than others.

The “theme” song is generally a song that is played in the trailer and/or first scene of the movie. It displays a common emotion that is used to set the scene of the film.

What Is a Film Soundtrack?

A film soundtrack is a selection of recorded songs that accompany a film. Also known as an original soundtrack (OST), this musical selection can include original songs or pre-existing songs that played during the film or were specifically recorded for the film. A soundtrack is also known as an original soundtrack (OST).

Unlike film scores, the soundtrack may feature music that was not recorded for the film but fits its overall mood and tone. Soundtracks may also feature vocal snippets of dialogue from specific moments in the film. For example, the Pulp Fiction soundtrack features Samuel L. Jackson’s famous “Ezekiel 25:17” monologue.

What Is a Film Score?

A film score refers to the original music that accompanies a film. In most cases, movie music is written by a film composer hired for the production. The movie score heightens the film’s emotion, creating an aural mood for each scene, along with sound effects and dialogue. The film’s composer writes the original score, often with the help of an orchestrator. After the composition is written, the composer will work with instrumentalists or use digital composition software to record the final product. A film score is part of a film’s soundtrack and can refer to any musical composition ranging from climactic moments to the background music.

What Is the Difference Between a Soundtrack and a Score?

A score is the specific musical piece or incidental music that accompanies a scene or moment in the film, and a soundtrack is the compilation of songs and sounds that comprise all of the film’s music. Scores are usually created by one or more composers, while soundtracks typically feature songs by different bands, artists, or musicians. Soundtracks typically feature vocal music, whereas film scores traditionally consist of instrumental music written by a composer and performed by an orchestra or group of musicians.

7 Examples of Soundtracks and Scores

Some notable examples of soundtracks and scores include:

  1. 1. Psycho (1960): Composer Bernard Herrmann created the original, dissonant sound score for Alfred Hitchcock’s Psycho (1960). The scores in this film, particularly the second movement, are considered some of the most famous in film history. The film’s full original soundtrack is unreleased, but many later soundtracks contained re-performed versions of the scores by other orchestras.
  2. 2. The Good, the Bad and the Ugly (1966): Ennio Morricone was an Italian composer responsible for scoring The Good, the Bad and the Ugly (1966). The motion picture soundtrack album was released alongside this western film and contained 11 original music scores. Morricone also scored Once Upon a Time in the West (1972), tailoring each scene’s music to include a particular film theme, mood, or character.
  3. 3. Star Wars (1977): John Williams composed the score for the iconic science-fiction saga, which is one of the most memorable soundtracks in film history. He also wrote the scores to Steven Spielberg’s iconic Hollywood blockbuster, E.T. the Extra-Terrestrial (1982), which won him two Grammy awards and a BAFTA and a Golden Globe for Best Original Score. The soundtrack would undergo several re-releases over the years, adding more never-before-heard scores to the lineup.
  4. 4. The Nightmare Before Christmas (1993): Danny Elfman is a successful composer known for his high energy classical music and iconic themes. He’s created notable soundtracks like Tim Burton’s 1993 animated film The Nightmare Before Christmas. In this Walt Disney release, Danny Elfman composed each of the scores and used his own singing voice for tracks like “What’s This?” and “Jack’s Lament,” creating a catchy yet morose album full of iconic scores.
  5. 5. Pulp Fiction (1994): The movie soundtrack for this cult classic from director Quentin Tarantino features an exciting mix of vintage pop songs from artists like Al Green, Neil Diamond, and Dusty Springfield, alongside dialogue snippets from the film’s most quotable moments.
  6. 6. Titanic (1997): James Horner composed the music for this soundtrack, which features one of the best-selling singles of all time: Celine Dion’s “My Heart Will Go On.” Dion’s signature song from the blockbuster movie won the Academy Award for Best Original Song in 1998.
  7. 7. The Dark Knight (2008): In 2009, Hans Zimmer and James Howard Newton won a Grammy for composing the score for this blockbuster Batman film. Hans Zimmer is one of the most prolific film score composers in cinema’s history, writing over a hundred original scores in his storied career. With notable credits like Inception(2010), he is most famously known for his composing work in The Lion King (1994), which earned him the Oscar for Best Original Score. Learn more about film composers in our quick guide that features tips from Hans Zimmer.